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These measures improve the safety of your prison, as well as lowering the chance of your released prisoners reoffending, but they cost an incredible amount of money. In order to keep your prisoners calm, you have to (surprise, surprise) treat them like human beings by giving them adequate food, personal agency through work, access to reform programs, and contact with their families.

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While the game isn’t overtly political (like many simulators, it’s very hands-off, allowing the player to create their narrative) the game’s well-balanced system highlights some of the stark problems with our prison system: In order to keep from going bankrupt, you often have to pack prisons full of prisoners and keep amenities to a minimum…which results in unhappy prisoners and incredibly unsafe prisons, complete with riots and a daily death toll.

You are given God-like status, complete with a bird’s-eye view of your prison as you shape it and your prisoners’ day-to-day lives. Other than the brief tutorial (and the occasional calls from the CEO if you manage to go bankrupt), there is no dialogue in the game. While Introversion is a British development company, the game is remarkably reminiscent of the American penitentiary system. Prison Architect is Introversion’s indie prison development simulator. Add in political mindedness, and that is why I picked up Prison Architect. They are a control-freak’s dream come true. I can lose hours in these games, carefully crafting my worlds and micro-managing the details. They offer the chance to create Utopian situations, or to “screw up” in glorious fashions and watch the world burn…without any of the real-world consequences. These games are simplified forms of the world, yes, but they are realistic.

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For that reason, simulations might seem like an odd category, considering that they are most effective when they are realistic…yet t he Sims is one of EA’s biggest cash cows, raking in millions of dollars with each new edition, and the successful Rollercoaster Tycoon franchise sparked hundreds of tycoon offshoots, from movie theaters to lemonade stands to game development*. So many times, games are a form of escape from the “real” world (which is often an argument for allowing unreal conditions. Maybe that’s why I like simulation games. There’s a sense of agency in games, where the player takes an active role in shaping the presented narrative (even if that narrative is ultimately beyond their control). Video games are only one small piece of that art, but they are more immersive than most other forms. This is a question that comes up all the time…why demand video games, books, movies, songs that are more accurate, diverse, or representative? Legend’s answer sums it up…our art-fictional or not-reflects our times. When people are marching with our song, we want to tell you we are with you, we see you, we love you, and march on.” There are more black men under correctional control today than were under slavery in 1850. We live in the most incarcerated country in the world. We wrote this song for a film that was based on events 50 years ago, but we say that Selma is now because…we know that right now the struggle for freedom and justice is real. Amidst the common platitudes and thank yous, John Legend had this to say: “It’s an artist’s duty to reflect the times in which we live. If you haven’t seen the performance yet, it’s a must:īut as powerful as the song is, it’s the acceptance speech (starting at 6:05) that captured my attention on Sunday night.

At Sunday’s Oscars, John Legend and Common performed their amazing song, “Glory,” from Selma before ultimately winning the Oscar for Best Original Song.

Prison architect name in game